Tell me, does the world seem horrible to me because of my illness, or because it is really like that?
Diabeł (The Devil) | Andrzej Żuławski, 1972
We won’t survive if we have nobody to live for.
Trzecia Część Nocy (The Third Part of the Night) | Andrzej Żuławski, 1971
The Third Part of the Night | Andrzej Żuławski, 1971
The reality is that she’s gone. You were not available, so she left.
An Oversimplification of Her Beauty | Terence Nance, 2012
And now? Are you happy?
Dispersed Clouds (Wakare-gumo) | Heinosuke Gosho, 1951
Mankind is foolishly oblivious to the danger.
Goke, Body Snatcher from Hell | Hajime Sato, 1968
Is my love enough?
Beautiful 2012 (Long Tou, My Way, Walker, You Are More Than Beautiful) | Gu Changwei, Ann Hui, Tsai Ming-liang, Kim Tae-Yong, 2012
Berberian Sound Studio | Peter Strickland, 2012
I don’t know if you’re an actor or a dreamer.
A Moment of Innocence | Mohsen Makhmalbaf, 1996
In a matchless style, the Italian film divas reshaped the concept of the sexually liberated woman that had been so popular in the decadent arts of the previous century. But, before the eyes of the cinema audience, her ode to unconditional passion could not go unpunished. A calvary of loss, guilt and self-torment was her inevitable fate in these stories. She played the dolorous diva, la diva dolorosa.
Diva Dolorosa | Peter Delpeut, 1999