Carmen Comes Home | Keisuke Kinoshita, 1951
Il vangelo secondo Matteo | Pier Paolo Pasolini, 1964
They can’t go overboard for you.
Bush Mama | Haile Gerima, 1979
Siamo tutti sull’orlo della disperazione.
La grande bellezza | Paolo Sorrentino, 2013
The secret is in death.
Szamanka | Andrzej Żuławski, 1996
However cruel and inhuman you are, there must be some truth in you. Your truth.
Na srebrnym globie (On The Silver Globe) | Andrzej Żuławski, 1988
Are you scared? If you are, you don’t understand anything. I can’t hurt you. You are my film.
La femme publique (The Public Woman) | Andrzej Żuławski, 1984
You’re looking at me as if to tell me that I need you to fill me up, as if I’m an empty space. Well, I love you too but what makes me go on is to know he’ll return and that I’ll make him suffer and I’ll hurt him and I’m betraying him, but… this brings me small rewards. Yet I can’t exist by myself because I’m afraid of myself, because I’m the maker of my own evil.
Possession | Andrzej Żuławski, 1981
I love you means nothing! Nothing! It means nothing!
L’important c’est d’aimer (That Most Important Thing: Love) | Andrzej Żuławski, 1975
Tell me, does the world seem horrible to me because of my illness, or because it is really like that?
Diabeł (The Devil) | Andrzej Żuławski, 1972